Spring 2006

Essay 7: Rhetorical Analysis

The Interesting Narrative of Olaudah Equiano

Overview

In the Humanities, rhetoric is an important factor in all forms of composition and analysis.  In all your assignments for the Humanities Core Course you  should look closely at how conventions about speaking to particular audiences shape discourse.  In this assignment you will be asked to consider how the dynamic interaction of identity, role, and subjectivity (page 137-138) shape the speaking "I" of Equiano's narrative and how this particular writer employs specific means of persuasion at key moments in the text.   You will focus your rhetorical analysis on a particular passage in Olaudah Equiano's Interesting Narrative that will be chosen by your section leader.  Do not choose the passage yourself! 

You should also be conscious about how your own rhetorical choices can make your argument more or less persuasive to a skeptical and well-informed academic reader.  This assignment requires you to use the primary source of Equiano's text, but it also asks that you integrate at least one scholarly secondary source from JSTOR to improve your understanding of the rhetorical context of the narrative.   The articles below come from many academic disciplines, and you will need to be able to paraphrase the scholar's argument.  Review your Discovery Tasks if you have difficulty locating or interpreting the article or articles you choose.

The Spirit of Trade: Olaudah Equiano's Conversion, Legalism, and the Merchant's Life
Elizabeth Jane Wall Hinds
African American Review
, Vol. 32, No. 4. (Winter, 1998), pp. 635-647.
Stable URL: http://links.jstor.org/sici?sici=1062-4783%28199824%2932%3A4%3C635%3ATSOTOE%3E2.0.CO%3B2-E
Olaudah Equiano and the Art of Spiritual Autobiography
Adam Potkay
Eighteenth-Century Studies , Vol. 27, No. 4, African-American Culture in the Eighteenth-Century. (Summer, 1994), pp. 677-692.
Stable URL: http://links.jstor.org/sici?sici=0013-2586%28199422%2927%3A4%3C677%3AOEATAO%3E2.0.CO%3B2-W
The Path Not Taken: Cultural Identity in the Interesting Life of Olaudah Equiano
Robin Sabino; Jennifer Hall
MELUS , Vol. 24, No. 1, African American Literature. (Spring, 1999), pp. 5-19.
Stable URL: http://links.jstor.org/sici?sici=0163-755X%28199921%2924%3A1%3C5%3ATPNTCI%3E2.0.CO%3B2-G
Disguised Voice in The Interesting Narrative of Olaudah Equiano, or Gustavus Vassa, the African
Wilfred D. Samuels
Black American Literature Forum , Vol. 19, No. 2. (Summer, 1985), pp. 64-69.
Stable URL: http://links.jstor.org/sici?sici=0148-6179%28198522%2919%3A2%3C64%3ADVITIN%3E2.0.CO%3B2-4
Word between Worlds: The Economy of Equiano's Narrative
Joseph Fichtelberg
American Literary History
, Vol. 5, No. 3, Eighteenth-Century American Cultural Studies. (Autumn, 1993), pp. 459-480.
Stable URL: http://links.jstor.org/sici?sici=0896-7148%28199323%295%3A3%3C459%3AWBWTEO%3E2.0.CO%3B2-2
Dominant and Submerged Discourses in The Life of Olaudah Equiano (or Gustavus Vassa?)
Katalin Orban
African American Review , Vol. 27, No. 4. (Winter, 1993), pp. 655-664.
Stable URL: http://links.jstor.org/sici?sici=1062-4783%28199324%2927%3A4%3C655%3ADASDIT%3E2.0.CO%3B2-M
Olaudah Equiano, Accidental Tourist
Geraldine Murphy
Eighteenth-Century Studies
, Vol. 27, No. 4, African-American Culture in the Eighteenth-Century. (Summer, 1994), pp. 551-568.
Stable URL: http://links.jstor.org/sici?sici=0013-2586%28199422%2927%3A4%3C551%3AOEAT%3E2.0.CO%3B2-G
The Subject in the Plot: National Boundaries and the "History" of the Black Atlantic
Herman L. Bennett
African Studies Review , Vol. 43, No. 1, Special Issue on the Diaspora. (Apr., 2000), pp. 101-124.
Stable URL: http://links.jstor.org/sici?sici=0002-0206%28200004%2943%3A1%3C101%3ATSITPN%3E2.0.CO%3B2-4
The Promised Body: Reflections on Canon in an Afro-American Context (in Interpretation, Rhetoric, Ideology)
Houston Baker
Poetics Today
, Vol. 9, No. 2, The Rhetoric of Interpretation and the Interpretation of Rhetoric. (1988), pp. 339-355.
Stable URL: http://links.jstor.org/sici?sici=0333-5372%281988%299%3A2%3C339%3ATPBROC%3E2.0.CO%3B2-R
The Black Voice in Eighteenth-Century Britain: African Writers against Slavery and the Slave Trade
Victor C. D. Mtubani
Phylon (1960-), Vol. 45, No. 2. (2nd Qtr., 1984), pp. 85-97
Stable URL: http://links.jstor.org/sici?sici=0031-8906%28198432%2945%3A2%3C85%3ATBVIEB%3E2.0.CO%3B2-Z
Writing in the Spaces Left
William W. Cook
College Composition and Communication
, Vol. 44, No. 1. (Feb., 1993), pp. 9-25.
Stable URL: http://links.jstor.org/sici?sici=0010-096X%28199302%2944%3A1%3C9%3AWITSL%3E2.0.CO%3B2-Q

 For background you should carefully review your notes from Professor Mailloux's lecture and your responses to the reading questions.  Read "Who is Speaking?  Recognizing Rhetorical Context" (135-138), "Audience and Purpose" (139-142), and "Rhetoric and Interpretation" (143-144) in the Writer's Handbook.  Pay particular particular attention to how Professor Mailloux close reads texts rhetorically in his lectures.  You should also read the material on Burke's Pentad in Writing from A to Z.

Your essay should be roughly 4-6 pages and will count for 30% of your writing grade.

A successful essay will do the following . . .
Thinking about Audience . . . The Undergraduate Research Opportunities Program at UCI holds a symposium each year at which UCI students present research papers and projects.  You may want to look at http://www.urop.uci.edu/ to see information about upcoming conferences and undergraduate research in the humanities.  On this site you will see a program with panel discussions.  What kind of a panel discussion can you imagine from the viewpoints about rhetorical analysis developed in your section?  You will also see abstracts of UROP presentations.  If you were to do an abstract of your paper, what would it look like?