Kluger, Still Alive
Lecture One
Johann Strauss: The Blue
I.
City of
Capital of
Map
http://www.mygeo.info/karten/austria.gif
City of
http://www.burtonholmes.org/business/ViennaCourtOpera1902.jpg
http://www.austria-trips.com/Vienna/vienna.jpg
(museum of fine arts)
http://boyamazon.com/images/austrin_folk_song.jpg
Spanish riding school
larger
http://www.j-archive.com/media/2007-02-22_DJ_06a.jpg
The oldest university in the
German-speaking world: founded 1365—exactly 600 years before UCI.
http://www.hotelstadthalle.at/images/sideimgs/big/wiener_prater_0.jpg
Sacher Torte
http://www.simonho.org/images/Austria/Vienna_SacherTorte.jpg
profile:
Freud: http://neft.dk/freud.jpg
March 12, 1938 “Anschluss”
Hermann Göring:
“unbelievable jubilation in
Kluger was 6; now in her 70’s
http://www.library.villanova.edu/blueprints/nov02gifs/kluger1a.jpg
Still Alive (2001)
is a translation, updating, and adaptation of weiter leben: Eine Jugend
(1992) “living on/continuing to live: the story of my youth”
Kluger was EAP director in the town of
http://eap.ucop.edu/eap/country/germany/Summary/gottingen-immersion.htm
The Accident 1988
Translation into Dutch,
French, Italian, Spanish, Czech, Japanese
German/European literary
prizes: Heinrich Heine Prize, Thomas Mann Prize, Grimmelshausen Prize, Roswitha
Prize, Marie-Luise-Kaschnitz Prize, Lessing Prize, Goethe Medaille
(all named for famous German writers); Rauriser
Literature Prize, State of Lower Saxony Prize, Author of the Year (Magazin Buchkultur),
Prix Memoire de la Shoah.....
II. Doing: The Autobiography
What Kluger
did: wrote an autobiography
autos, 'self', bios, 'life' and graphein,
'write',
Truth ( not as in ‘the true story of...’)
Gandhi’s autobiography: The Story of My Experiments with Truth
2 vols. I (1927) II (1929) Kluger born in
1931
Gandhi’s definition of Truth:
“This truth is not only truthfulness in word, but truthfulness in thought
also, and not only the relative truth of our conception, the the Absolute Truth, the Eternal Principle that is
God.”
Mohandas K. Gandhi, An Autobiography:
The Story of My Experiments with Truth. Trnsl. Mahadev Desai.
Gandhi wrote as a famous, politically effective individual who offered his
life as a model for others, expressing hope that “many other experimenters will
find in them [his experiences] provision for their onward march.” (xxvii) march
to Truth
Kluger’s truth is relentless honesty about historical and
personal events that have been glossed over or sentimentalized.
“what it was like.”
One thing she does is attempt to bridge the gap between herself and her
readers:
(93) “But if there is no bridge
between my memories and yours and theirs, if we can never say ‘our memories,’
then what’s the good of writing any of this?”
Thesis: One thing the book is does is to make Kluger’s
experience intelligible to those who handle her as a representative of the remote
past, the Holocaust, human suffering, the war. She is in many ways integrating
the victim into the public conversation.
First line: Their secret was death,
not sex.
Posits a similarity with the reader, with all kids.
III. History of the Book.
German version of 1992: weiter leben: Eine Jugend (dedicated to
German friends in Göttingen)
English version of 2001: Still Alive: A Holocaust Girlhood Remembered
(dedicated to Hirschel)
Reception was very
different.
European reviewers praised
her telling of her story “without pathos”
American reviews were more
ambivalent.
The Washington Post critic, Jonathan Yardley, called it “stunning”
and “a genuinely astonishing piece of work” and writes:
What an amazing book it
is. The literature of the Holocaust is
vast and ever-growing, some of it of an uncommonly high order, but Still Alive moves at once to the
forefront. The story it tells is by now numbingly familiar—a child is wrested
out of innocence into horror, adapts and copes, miraculously survives and
somehow grows into a full, productive adulthood—but the voice that tells it is
new and original. Herself “more hard-boiled than I want others to be,” Kluger doggedly resists self-deception, self-congratulation
and sentimentality. By nature and upbringing “antiauthoritarian, skeptical, and
inclined to question and contradict,” she views the Holocaust and her own path
through it with a clinical clarity that at times takes the breath away.
The
But this honesty was also Incendiary Rhetoric
.
Gabriele Annan
wrote in the NY Review of Books:
[Kluger] resents all views on the Holocaust that do not tally exactly
with her own, and gets indignant about everyone who criticizes her....
And of course, nobody could expect to get it completely right
unless they too had survived the Holocaust. That makes it difficult to judge
her book. It holds one's attention by the very nature of her story, and the
story could hardly be better told, in a forceful, colloquial style. All the
same, Primo Levi told a similar story without making one feel so hectored.
A secondary source [the two
reviews are primary sources in this discussion]:
Linda Schulte-Sasse, “’Living on’ in the American Press: Ruth Kluger’s Still Alive
and Its Challenge to a Cherished Holocaust Paradigm,” German Studies Review XXVII.3 (October, 2004) 469-75.
Where there are many
scholarly articles and a few books on the autobiography itself, Schulte-Sasse addresses the American reception of Kluger’s book and she finds that readers and reviewers are
often disturbed at its lack of resemblance to the standard Holocaust story as
we know it from film, television, and numerous fictional and non-fictional
accounts.
“We have been conditioned to
expect our Holocaust journey through books, movies, memorials, or museums to be
‘useful, edifying and soul-enlarging’ (Lipton), to offer a curious reward for
the vicarious pain to which we subject ourselves. In Kluger
we have a guide who not only deprives us of such solace, but catches us feeling
smug when we pity, finding defenses against phenomena we purport to ‘confront,’
loving ourselves when we hate the Nazis.” (470)
[Lipton is Eunice Lipton, who
reviewed the book in The Women’s Review
of Books issue of April 4, 2002.]
p.52. [reflection on incendiary rhetoric]
p.65.
Remember the conclusion of Antigone? The chorus
expressed the wish that all of the suffering would ultimately have a positive
effect:
The mighty words of the proud
are paid in full
with mighty blows of fate,
and at long last
those blows will teach us
wisdom.
But Kluger
writes that