Making 2.0

Lecture One: Cyberculture

HCC Winter 2008

Julia Lupton

jrlupton@uci.edu

 

Defining “WEB 2.0”

::The phrase “Web 2.0” was coined by Tim O’ Reilly, a “software guru”

::Describes the internet era after the dot-com crash of 2000/2001

:: In Web 2.0, users generate content on data base-driven sites

 

Reilly coins the term:

http://oreillynet.com/pub/a/oreilly/tim/news/2005/09/30/what-is-web-20.html

Critical perspectives on Web 2.0:
http://www.uic.edu/htbin/cgiwrap/bin/ojs/index.php/fm/issue/view/263/showToc

Videos by anthro professor Mike Wesch define and explore Web 2.0

Web 2.0: The Machine is Us/ing Us (March 2007)

http://uk.youtube.com/watch?v=NLlGopyXT_g

A Vision of Students Today (October 2007)
http://uk.youtube.com/watch?v=dGCJ46vyR9o

 

“MAKING 2.0”

In these final two lectures of our quarter on Making, I’d like to explore the ways that “Web 2.0” helped create or support new scenes of making:

:: digital making, decentralized and dispersed

:: but also hand-making, supported by social media

:: And, bridge from last week: what are the links between real cities and virtual environments?

 

My ethos here:

I speak as a citizen-participant in our increasingly digital culture, and as an eager contributor to contemporary scenes of making,

but not

as an expert in computer science or informatics.

:: It is part of the Web 2.0 attitude (and  the Jane Jacobs tradition!!) that non-experts provide some commentary and analysis.

:: Humanities Core offers an opportunity for the large group of us to reflect on these developments from the perspective of the humanities.

 

Cyberspace vs. Cyberculture
Pierre Levy’s distinction between “Cyberspace” and “Cyberculture” can help us grasp what the humanities brings to studies of digital phenomena:

 

Cyberspace ... is the new medium of communications that arose through the global interconnection of computers. “

 

Cyberculture is that set of technologies (material and intellectual), practices, attitudes, modes of thought, and values that developed along with the growth of cyberspace.”

--- Cyberculture, p. xvi

 

Digital themes for research paper clusters:

art and action / music and movements

digital platforms?

 

built environments

in relation to virtual environments?

 

publics and counterpublics

digital coordinates of public speech today,

both mainstream and oppositional?

 

From Urbanism to Cyberculture

Jane Jacobs ends her book with a more theoretical chapter, entitled “The Kind of Problem a City Is.” She writes,

 

“Cities happen to be problems in organized complexity. They present ‘situations in which a half dozen or even several dozen quantities are all varying simultaneously and in subtly interconnected ways.’” (Death and Life,, p. 433)

 

Three types of problems according to Warren Weaver

:: simple problems

two-variable problems, leading to modern understanding of light, sound, heat, electricity

 

:: disorganized complexity

probablity theory and statistics

 

:: organized complexity

biology (Weaver)

the city (Jacobs)

computing and the Internet (Levy)

 

Remember Aristotle’s web of causes?

Here’s what Professor Schwab said in his final Aristotle lecture about ecology as a science of organized complexity:

 

“Ecology as a discipline tries to gain knowledge of dynamic equilibria in complex relations between climate, the earth, and living beings. This looks to me like the attitude towards knowledge I [ARISTOTLE] have been advocating: gaining insight into the orders of the world. Not, in my ethical view, with the purpose of becoming tyrants in the realm of the earth, but with a view of integrating ourselves and our interests into these orders.”

 

Jane Jacobs’ source :Warren Weaver

She cites Dr.  Warren Weaver, 1958 Annual Report of the Rockefeller Foundation:

 

“What makes an evening primrose open when it does? Why does salt water fail to satisfy thirst? ... What is the description of aging in biochemical terms? … All of these are certainly complex problems. But they are not problems of disorganized complexity. They are all problems which involve dealing simultaneously with a sizable number of factors which are interrelated into an organic whole.”

(Jane Jacobs citing Warren Weaver, Death and Life, p. 432)

 

 

Warren Weaver, 1894-1978

:: Mathematician and engineer

:: Director of the Division of Natural Sciences at the Rockefeller Foundation, 1932-55

:: Headed the Applied Mathematics Panel for the U.S. Office of Scientific Research during World War II (cryptography, electronic calculating machines)

:: His 1958  Annual Report of the Rockefeller Foundation, science, cited at length by Jacobs, has been called “the founding text of complexity theory.”

[Source: Steven Johnson, Emergence: The Connected Lives of Ants, Brains, Cities, and Software, (NY: Scribner, 2001), p. 45-6.]

 

Mapping Connections

We can begin visualizing the connections between ORGANIZED COMPLEXITY (a theory developed at the interface between biology and applied mathematics), MODERN COMPUTING (which includes systems theory and communication theory), and URBANISM (Jane Jacobs’ application of organized complexity to the life of the city). WEB 2.0, or the rise of social media, connects computing to urbanism by developing new forms of self-organizing social relationships.

 

Pierre Levy, Cyberculture: develops the connection between computing and urbanism

Cyberculture commissioned by Council of Europe

published in French,  1997

published in English, 1999

 

:: Writing before “Web 2.0,” Levy predicts and champions many of its features.

:: He uses the idea of “collective intelligence” to link computing to urbanism.

 

“The development of cyberspace is  a particular form of urbanism or architecture, although not physical, whose importance can only increase with time. However, the supreme architecture is really political. It involves the articulation of different spaces and their respective roles.  To make collective intelligence the command post of modern society is to again choose democracy, to reactualize it by exploiting the most positive potential of our communications systems.”

(p. 177)

 

About Pierre Levy

http://www.ieml.org/spip.php?article13&lang=en

:: Born in Tunis (Tunisian Republic, North Africa) in 1956.

:: Studied history of science at the Sorbonne, Paris.

:: Ph.D. in Sociology, 1983 and Ph.D. in Information and Computer Sciences, 1991.

:: Professor of Communications, University of Ottowa (Canada); member of the Royal Society, Canada

:: Director of the Collective Intelligence Lab
http://www.ieml.org/spip.php?rubrique51&lang=en

Collective Intelligence

MIT’s Center for Collective intelligence sets itself the following problem: “Our basic research question is:  How can people and computers be connected so that—collectively—they act more intelligently than any individuals, groups, or computers have ever done before?”

http://cci.mit.edu/

 

Part science / part science fiction?

“Collective intelligence” is a concept and a value that joins together people working in computing, biology, urbanism, business and management, and the arts and humanities.

 

Alternative concepts for “collective intelligence” include “crowd sourcing” (the idea that a problem can be solved by sending it out to the general public, through surveys, competitions, or other mass tools) and “loser-generated content,” a phrase that grasps the extent to which Web 2.0 companies build their businesses by getting free stuff from users.

 

Thinking, Making, Doing

The concepts of collective intelligence and organized complexity link THINKING (thinking as a social act involving dispersed individuals and groups of people) to MAKING (especially the technical infrastructure and new forms of expression that the internet has generated) and to DOING (are new decision making mechanisms and forms of organization for political action emerging as a result of digital communication?)

 

The Noah’s Ark Analogy

In his Introduction, Pierre Levy develops an extended analogy between the story of Noah’s Ark and the current “deluge [flood]” of information. We might think of this as Levy’s istoria, a narrative of human action that he tells using the resources of ancient myths and stories. (He uses the Hebrew Bible or Old Testament in his other books as well; he likes “going back” in order to understand the present and the future.)

 

FIRST FLOOD:

= the Bibical Flood

 

Noah’s collection is a “microcosm” of the “macrocosm”: a complete sampling of the world’s zoo

 

SECOND FLOOD:

= flood of information

 

::We each are building our own arks.

::We make our own collections.

:: Our collections are not complete.

:: We “dance in concert.”

 

What’s your ark?

Mine is my website, which allows me to archive, link, announce, share, self-brand.

www.thinkingwithShakespeare.org

 

But personal webpages are “So Five Years Ago.” Blogs provide a space for personal writing along with the chance for interactivity (comments) and connectivity (blog rolls). Younger people prefer Facebook and MySpace, which allow for many of the archiving features of a web page, but add the crucial social dimension of linking up with other people on the same site. iPods are a different kind of ark, a place to collect music and other media, but also to organize them in playlists that often become highly personal statements of order and value.

 

Notebooks and journals can be personal arks as well. Notebooks have a venerable tradition in Renaissance humanism – for example, the notebooks of Leonardo da Vinci were a place for the artist-engineer to collect his writing, his visual observations of the world, and his designs for machines. Several students sent me scrapbooks as examples of  their making.  Rather than being a rejection of digital culture, however, scrapbooking and journaling, as physical activities of traditional writing, drawing, and collage, are supported by multiple social media sites in which people who make and use notebooks can communicate to each other about their private productions. And of course the notebook has become the favorite metaphor for small portable computers. 

 

In many parts of the world, including Africa and Europe, the cell phone is much more than a mechanism for making calls away from home. Early adoption of the cell phone in Europe was a strategic decision designed to encourage European unification. For many people, especially in developing countries, the cell phone is their main digital instrument (often shared with other people in a family, village, or social cluster) –if , that is ,they are digitized at all. Thanks to phone cards, people living in informal economies (without bank accounts or credit records) can use, and share, cell phones. Texting is for many communities more important than voice communication. Not only can texting be performed surreptiously, but it also uses less bandwidth and is significantly cheaper for both service providers and consumers.

 

Did you know …?

:: Mobile phone far exceeds landline and Internet use in developing countries

:: 65 % of all African phone subscribers are on cellular networks, not landlines

:: BUT, penetration rate is still far lower than anywhere else in the world (5% of Africa’s 820 billion people)

:: in addition to daily communications, cell phones in Africa are used for price reporting for greater market transparency and for political mobilizing and organizing, as seen in a cell phone boycott organized by cell phone users in Nigeria, September 19, 2003.

 

Sources: Okoth Fred Mudhai, “Exploring the Potential for More Strategic Civil Society Use of Mobile Phones,” Reformatting Politics: Information Technology and Global Civil Society,  ed. Jodi Dean, Jon W. Anderson, and Geert Lovink (London: Routledge,  2006), pp. 107-120. See also: http://www.isandla.org.za/dark_roast/DR18%20Obadare.pdf). Really interested? There are additional links in the lecture slides.)

 

Back to Noah’s Ark

When Noah, that is, each of us, looked through the porthole of his ark, he saw other arks in the distance, floating on the howling ocean of digital communication. Each of these arks contained something different. Each wanted to save diversity. Each wanted to transmit. Those arks will wander indefinitely on the surface of the waters.

--Pierre Levy, p. xiii

 

“Noah’s rescue operation appears to be complementary, almost an accessory, to extermination.” [Levy gives an account of book burnings, from Sargon of Agade to the Inquisition and Hitler] “But the new deluge cannot erase the marks of the intellect.”

Levy, pp. 6-7

 

Queries and questions

:: Post 9/11. can we draw such a clear distinction between destruction (earlier information regimes) on the one hand, and creation and collective intelligence (Web 2.0) on the other?

 

:: Noah’s Ark is also an environmental story. The waters are rising again … It would be interesting to hear about the role of collective intelligence (for example, the operations of the free market under industrialization and then globalization) in bringing about climate change, as well as the role that reinvigorated and reorganized social movements and scientific enterprises might help us adapt to climate change.

 

:: Finally, how “social” are social media? If we look at Facebook, MySpace, ipods, cell phones, blogs, and our other arks, we see not only an increase in connectivity, but also an intensification of individualism, self-display, and self-performance. A number of critics and observers of the blogosphere have argued that the race for links, hits, and rankings often occurs at the expense of generating original and responsible content, or building genuinely reciprocal and “intelligent” (collective or otherwise!) conversations.

 

Analogy, Substitution, Assimilation, Articulation

The first three narrow the differences between real and digital forms.

The last term, articulation, emphasizes the differences between real and digital forms, but in order to bring them into new, more creative, productive, or socially generative relationships with each other.

 

Analogy

A virtual space IS LIKE a city (or museum, or school, or other pre-existing institution).

 

Substitution

A virtual space REPLACES a city (or museum, or school, or other pre-existing institution).

 

Assimilation

An existing powerful institution (the state, a media conglomerate, a cable or phone company) TAKES OVER new forms of digital communication and relationship.

 

Articulation

Real spaces (“territories”) are brought into productive relationship with virtual communities.

 

articulate (v): to give clarity or distinction to;

to reveal or make distinct

 

articulate (v): to unite by forming a joint or joints (anatomy);  to fit together into a coherent whole; to give visible or concrete experession to the composition of structural elements (architecture)

 

Anaology vs. articulation: The case of the virtual museum

“Instead of reproducing conventional exhibits on Web sites, why not attempt to design trajectories that can be personalized or constantly redefined through collective navigation in spaces that are completely independent of any collection of objects?” (Levy, p. 168)

 

= WEB 2.0

= Flickr

 

Example: the Library of Congress, the nation’s largest and most important library and information repository, creates a Flickr account in order to share photos with the public and invite them to assist with tagging and identifying these historical documents.

http://www.flickr.com/photos/library_of_congress/

 

The project “articulates” (brings into a new productive relationship”) the traditional space of the public library and the new space of social media.

 

Geotagging

Adding metadata  (tags, photos) to digital maps

“Articulates” real space with its digital representation

“Articulates” satellite view of the world (as generated for example by Google Earth) with on the ground images.

 

Example: Tagmaps, a partnership between UC Berkeley and Yahoo!

http://tagmaps.research.yahoo.com/

 

Other “articulations” of real and virtual cities

Celluloid Skylines: New York and the Movies: “articulates” the real New York of documentary photography with the NewYork imagined by Hollywood movies.

http://www.celluloidskyline.com

 

Senseable City Lab, MIT: uses mobile technology such as phones and GPS to map the intensities of lived experience in a number of major cities, including Rome, itself the setting of many historic mapping activities.

http://senseable.mit.edu/

 

Global Cities at the Tate Modern, London explores five major megacities across the planet. The site includes survey tools and user-generated content.

http://www.tate.org.uk/modern/exhibitions/globalcities/default.shtm

 

A digital urbanist: Reineke Otten

http://www.reinekeotten.com/

Photographer, designer, brand researcher

Author of China Daily Life, a Flickr-style print compendium of contemporary Chinese urbanism.

 

Otten calls herself a “streetologist”:

 

“Streetologists use the street and its people as a free unlimited source of inspiration. Not only do I use streetology to make books like China Daily Life, I work for companies who want to understand their brand better by getting to know the world it lives in.”

 

Her clients include:

Heineken

Dutch Railways

Dynamic City Foundation

http://www.dynamiccity.org/

 

Anyone want to become a streetologist? The work looks really interesting, but the pay is irregular and the benefits are intangible, like so many jobs for the new culture workers of the global information economy. Your generation will be inventing, exploring, and retooling these new possibilities at the interface of real and virtual cities – and perhaps helping to create an economic and political infrastructure in which these new forms of thinking, making, and doing can maintain more stability, and have more impact, on collective life – at home, and globally.

 

(If time: a few minutes from Rem Koolhaas, digital documentary, Lagos Wide and Close.)