Nature and Explanation

 

Aristotle’s Nature, our Nature.

 

Our ‘nature:’ what we observe, challenge through experiments, explain by natural laws (the Sciences). Nature vs. culture. Nature vs. Mind (Descartes). ‘Natural’ vs. the ‘artificial’ (Supplements at Mothers!). – Aristotle’s nature (physics): “natural things are some or all of them subject to change” (Phys. 185a13). Nature includes artifacts (constituted by man) and things constituted by nature (living beings, non-living things. For  “things that are constituted naturally: each has in itself a source of change and staying unchanged” (Phys. 192b13). (plants; animals; the elements; human beings – including their soul, and their reason (?); the state (!).

 

Contrast: Non-nature: what is essentially unchanged and unchanging; what has the source of change and stability only at its outside.

 

Realities.

 

What are the items that change and how are they ordered?

Ontology: The domain of entities/realities, some natural, some non-natural. Primary ‘things’ are substance, reality (the things of our everyday world. “Nothing can exist separately except a reality; everything else is said of a reality as an underlying thing.” (185a30) Ontological status of substances, qualities and relations, time & space, collectives and plurals/collectives, chaos/formless.

 

Form and matter as codependent, necessary components of realities. Form: what is it? What kind of thing is it? Matter: What does the item consist of? What is the item made up from? The ‘hylomorphic’ world-view. For natural things: involvement in change as active in bringing about or passive as brought about. The substantialist, teleological world-view.

 

‘Natural.’ substances undergo change: They come to be ‘this reality;’ they stop being ‘this reality;’ they change while remaining the thing they are. Secondary changes depend on ‘realities’ and are at the same time changes of the reality. (190a340)

 

Their source of change and stability is internal (192b14) for natural things. Contrast: artifacts.

 

 

Change

 

Kinds of changes: generation, destruction, transformation of non-defining features, change of place and time. Change of form; change of matter.

 

The concept of change:

The role of opposites and of the underlying in change 188b22. For generation and destruction: “To come out of opposite, to pass away into opposites.” ‘ Matter’ as underlying?

Opposites in transformation of non-defining features: that which changes is a trajectory between opposites. The underlying is what defines the thing as being ‘that thing.’

 

 

In addition we find an interaction of two potentialities. One, the passive potentiality, is in the object undergoing change, while the other, the active potentiality, is in the entity initiating change. The two potentialities need to be accorded with each other: when there is a potentiality for being heated in the object undergoing change, the process needs to be initiated by another object possessing an active potentiality for effecting heat.

 

 

Change in Nature:

 

Nature itself “a sort of source and cause of change.” Naturally constituted things have in themselves a source of change and of staying unchanged.” (Physics 2.1, 192b20-23). An inner principle of change and being at rest. Why ‘inner?’ What is the inner source of change in a natural substance? For living things: the activities of the soul and its subfunctions. For things like pebbles and “Skull Rock” (Joshua Tree Park)? External conditions always at work. Inner: the tendencies, if not the impulse in the thing itself to undergo change. Matter: a potentiality for receiving and changing form, and a resistance to that form. Form: prone to lose its grip on the matter it binds. (compare Metaphysics 9.8, 1049b5-10 and Metaphysics 9.1, 1046a11-13). 

 

 

Change in a hylomorphically interpreted world requires at least the following two components: (i) something suited to be changed in the way specified. (ii) something categorically apt to have both attributes of the pair of oppositions that constitutes the change.

 

Explanation/causes

 

An explanation for a state of affairs must specify some fact or object (in general, some abstract or concrete entity), which is responsible for it. What is, in this sense, responsible is, Aristotle submits, a cause (aitia or aition, words used interchangeably by Aristotle). One thing, that accounts for another thing. Whatever can be offered in such an account is a cause (198a14). The term is unfortunate. ‘Factor,’ something that explains, giving an account … (We do not have a good term that includes Aristotle’s aitiai.

 

Our sense of ‘explanation for a natural phenomenon’ (causal role in causality interpreted against background of making, composition in analysis, functions (adaptation) and random changes (mutations) in the life sciences  

Aristotle’s notion: What is responsible for the features, conditions and the behavior of a reality. What answers to the question: On account of what …is this an F? On account of what does this have G? On account of what is this constituted by M? On account of what does this do what it does? On account of what does this have the power to bring about H? 

 

Different ways of being responsible for distinct facets of the same state of affairs. Aristotle groups the varieties of responsibilities under four headings, the so-called four causes.

 

A synopsis (partly drawing on Stanford Encyclopedia for formulations):

 

The material cause: that from which something is generated, and out of which it is made or constituted, e.g. the bronze of a statue, the flesh and bones of a body.

The formal cause: the structure which the matter realizes and in terms of which the matter comes to be something determinate, e.g., the Hermes shape in virtue of which this quantity of bronze is (said to be) a statue of Hermes, the soul that animates a body; a certain ratio of a mixture; characters of a process, secondary features of an item

The efficient cause: the agent responsible for a quantity of matter's coming to be informed, e.g. the sculptor who shaped the quantity of bronze into its current Hermes shape. The art of sculpting for the sculpture. The form of the tree-to-become in the seed for the tree. The earthquake for the collapse of the bridge.

The final cause: the purpose or goal of the compound of form and matter, e.g. the statue was created for the purpose of honoring Hermes. The tree has the purpose to grow into a mighty exemplar of its species and contribute to the survival of its species. Human animals have the purpose of letting their lives be guided by and realize their rational faculties. Each element (fire, air, water, earth) is a final cause in its tendency to find rest in a certain region of the cosmos.

 

 

Formal cause.

 

Formal and material cause always together, because form is form relative to a matter, something acts as matter relative to a form.

 

Question: What is it to be that kind of thing? What makes it that the thing is that kind of thing? “What the being would be?” (194b28, 195a21).

 

For the item in question, its organization, its mode of composition, how it is put together. But also what holds it together, structure, forces that bind, unite, and make one out of diverse, distinct elements . . .

 

The form of a house structures the bricks and mortar from which it is built. When the bricks and mortar realize a certain shape, they manifest the function definitive of houses, namely that of providing shelter. Thus, the presence of the form makes those bricks and that mortar a house, as opposed, e.g., to a wall or an oven.

 

Bricks and mortar, as matter, are potentially a house, until they realize the form appropriate to houses, in which case the form and matter together make an actual house. They are also realities, things in their own right. So, in Aristotle's terms, the form is the actuality of the house, since its presence explains why this particular quantity of matter comes to be a house as opposed to some other kind of artifact.

 

Note that the bricks are in turn things of the artifact variety. The question ‘what is it to be a brick’ can be repeated for them. Their specific form is not subject to internal change. It is only decaying through the decay of the matter that has been formed into bricks. Ultimately, we reach the stuff we take from the earth or from a tree, as something that is a ‘natural’ thing and not an artifact, and therefore has a principle of change internal to it.

 

The form of a nugget, the form of a line that has definite length but neither endpoint nor beginning point. The formal cause of an octave.

 

Is the active form doing it? How does it do what it is supposed to do? His science attests to the presence and operation of causally active forms at each level of analysis of the physical world.

 

 

Material cause.

 

What does the thing in question consist of? What is it constituted by? “That out of which as a constituent a thing comes to be” (194b23).

 

Examples: bricks for house; bronze of statue; letters of syllables; fire etc. of bodies, individuals of polis, our body relative to the full living human being enlivened and individuated by its soul; the gold relative to the nugget; the chemical matter in a log; individuals relative to their state; the musical notes in a melody. Suitability. Assuming form and aptitude of that which is formed in the change. That which is brought into form, out of another form.

 

What is our interest in the answer? What we can, perhaps need to take to bring about something of a certain form (bronze for the statue). Also: what we need to do to the matter to give to it the intended form. A guide to transformations: decay, erosion, and formation in nature. Characters of the matter will have consequences for the form.

 

Identity questions: only form, or also form and matter together?

 

 

Efficient or moving cause.

 

Out of which does the item come? From what does the change proceed (195a8)? What is the primary source of change or the staying unchanged (194b30)?

 

Makers are efficient causes: the father, the craftsman, the doctor. Deliberation as efficient cause of choice. The skill and craft of the maker: out of it comes the product. initiating processes and bringing about their effects. States and events: labor as efficient cause of strength, learning of knowledge.

 

An efficient cause can also be internal. In cases in which the efficient cause is internal, it will be, in its specific function, one of the parts, or even the formal aspect, of the entity caused to move. Organs relative to living body. (198b24 ff.)

 

Forms can be efficient causes, as in the seed. The tree comes out of its seed, the form steering the transformation of the seedling.

 

Interest in efficient cause? How to trigger. What to know and what competences to have. Where to start in order to get to a result? Into what to intervene to bring about a change or to prevent it (Eryximachus!).

 

 

 

Final cause.

 

Question: What is the thing for? On account of what doe he does that? (194b33). What is the thing a means for? What does need to occur or be done in order to bring about this end?

 

Asked about realities, actions, events and processes, tendencies and potentialities. Acting finality: looking at an action or change, and account for it by pointing to the end it was promoting. But also: to be a final cause, in the sense of having in oneself the faculty or power to go towards some end and act as a final cause. What processes and entities are for, what they objectively intend to attain or go after. Very wide notion of final cause: “The ‘for something’, then, is present in things which are and come due to nature.” (199a8).

 

Form and final cause often coincide.

Final cause and efficient cause support each other. Health may come out of walking (efficient cause). Walking may be the final cause of health of the walker (194b35).

 

Order of causes.

 

Collaboration, dependence and tensions between the accounts in terms of ‘aitiai’/causes:

 Matter provides the potentialities, which are actualized by the form.

 

Hierarchies of explanation. In order for a form to be realized, one needs to have suitable matter. This suitable matter brings with it the features required to form a hylomorphic composite. These features, then, are the contribution of the matter, and as such the matter is the (material) cause of everything that depends on the matter in the reality. On the other hand they are indispensable presuppositions for the realization of the form, and to that extent the form prompts their presence. If there is a house to be built, one needs building bricks, slabs, mortar, etc. Each part provides material with properties within a definite range of the sort required for a house to come into being. A house cannot, for example, be made out of liquid water. Some kind of matter is unsuitable for the form of house.

 

Achievements and Problems:

 

Often difficult for us to process the ‘causal’ character of Aristotle’s relations. What does the form ‘cause?’ Is there a regular ‘causal’ nexus between a skill and the result of its use? Why don’t we just say: that golden thing has the form of being a nugget? The form is not doing anything.

 

Reply: Explanations are not necessarily a making, not even the efficient variant. Explanations are a form of understanding. The different causes are so many different ways of understanding, each of them with a special kind of understanding and different practical consequences.