Week Two

Antigone, Lecture Three

 

Antigone as an archetype of Doing

 

 

Versions of Antigone:  Cluster of Antigones

focused on the Nazi period

 

Jean Anouilh (1910-1987) Antigone written 1942/premiere 1944 in Nazi-occupied France

 

Elisabeth Langgässer (1899-1950) “The Loyal Antigone  1947

 

Rolf Hochhuth (1931-  )  “Berlin Antigone”  1963  (set in 1945)

 

Brecht’s adaptation of Sophocles’ Antigone 

 written 1945/premiere 1948 in Switzerland

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Bertolt Brecht 1898-1956

 

http://img.stern.de/_content/56/75/567524/Brecht_250.jpg

 

Buried Bertolt Brecht: http://www.bertolt.com/copyright/bertolt_brecht_grave.jpg

 

Brecht’s Theater:  Epic Theater     Alienation Effect

 

 

 

What did Brecht DO with the Antigone material?

 

---adapted to historical moment and the context of Germany 1945 

 

Bernd Eichinger/Oliver Hirschbiegel: The Downfall  2004

Bruno Ganz plays Hitler    April 1945

 

Use of Antigone to address a historical catastrophe: What is Brecht’s Antigone doing?

 

Significant differences between Brecht’s story in the “Antigone Legend” and Sophocles play: 

 ---Theban war of aggression against Argos

----Polyneikes killed as a deserter

----Argos/Argives win the war

 

Brecht revises Antigone to show what Hitler and the men who followed him did

 

Polyneikes as “showpiece,” symbol of Kreon’s power and authority

 

Antigone’s act: “To set an example” (29)

 

 

Antigone’s flaws:

 

 “ate of the bread that was baked by slaves” (49) and did nothing until her own were affected.

 

class oppression was not a factor in Sophocles

 

shows imperfect resistance in Brecht’s version because she lacks solidarity with all who suffer

 

Kreon’s flaws:

 

Like Antigone, he does not do the right thing until his own are affected

 

Declares and celebrates victory while the battle continues

 

Drunk with power

Sophocles: These blows will teach us wisdom

 

Brecht: These blows will not teach the leaders wisdom

“And rotten and gruesome, unteachable he staggers” (9, emphasis mine)

 

But, the elders still follow their leader.

 

 

 

 

Prologue:  (April 1945)

 

“If you see, you’ll be seen”

 

What is she doing with the knife?

 

 

 

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What on earth/in earth/under earth is Erwin Kowalke doing all around Berlin?

 

April 16, 1945: “A 908,000-strong Red Army force supported by 3,100 tanks opened its assault on Berlin at Seelow….But they met ferocious resistance from 129,000 Wehrmacht soldiers”

 

"As unfathomable as it may seem now, the German soldiers truly believed they would still win the war and were highly motivated to defend their folk, the fatherland and Fuehrer," said Gerd-Ulrich Hermann, head of the Seelow memorial museum.

 

"They knew they were the last line of defense before Berlin. They didn't run away. They fought until there was nothing left."

 

From:  http://news.yahoo.com/news?tmpl=story&u=/nm/20050405/wl_nm/germany_graves_dc_1)

 

 

 

Kowalke’s Antigone index       [vs. Zidane

 

http://www.anthroprof.org/documents/docs119/fallen.pdf

 

 

 

Does the archetype re-cast or re-shape or re-order the circumstances?

 

 

 

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Kleist’s Compliant/Defiant Horse Dealer

 

 

Heinrich von Kleist 1777-1811