Writing Assignment 5—Counterargument

Grady and Cable, Washington and Du Bois

Winter 2013

 

Introduction

 

The previous paper engaged secondary sources about Goethe’s Faust that reflected on the extent to which Faust can be considered a positive character. Alberto Destro argues that Faust, the character, participates in an “immoral ‘morality’” based on values of individualism—that though he may be considered a “negative” character when judged by conventional morality, he becomes “positive” when evaluated according to the laws of action and progress that he establishes for himself. This conception of individualism instigated and situated the many declarations of independence that Professor Jarratt analyzed in lecture, each of which performs action and progress by reconstituting tradition.

 

While these declarations rhetorically highlight the positive effects of individualism, our subsequent readings complicate this ideal perspective by demonstrating the negative effects of an individualized logic. They remind us that Faust’s striving comes at the cost of others’ lives and well-being and that declarations of independence often foreclose upon the rights of certain groups of people.

 

Your class debate encouraged you to think in terms that go beyond easy “pro” and “con” dichotomies. Humanistic study asks you to make original arguments that engage your opponents and make even those who agree with them think about the subject in a new way. You will be using your skills of definition, debate, rhetorical analysis, and narrative analysis to present a counterargument that takes on such a humanistic perspective.

 

Assignment

 

In this assignment, you will explain why you agree or disagree with the main argument in a specific passage from either Henry W. Grady’s “In Plain Black and White” or Booker T. Washington’s “Atlanta Exposition Address.”

 

The passage will be chosen by your section leader. Do not choose the passage yourself.  

 

Steps in the Process:

 

Begin by carefully reading the passage several times.


Interpret the passage as containing an argument. Paraphrase the main argument. Then state clearly what the structure of the argument is. You should be able to identify premises (both explicit and implicit), conclusions, and intermediate steps in the argument of the passage.

Identify the counterarguments that are made by each writer’s interlocutor. If writing on Grady, articulate Cable’s counterarguments to the assigned passage; if writing on Washington, articulate Du Bois’s possible responses to his assertions.


Evaluate both arguments—the assigned passage and the interlocutor’s counterarguments. To do this, you can use the list of logical fallacies in the section on "Logical Fallacies" and the strategies discussed in the section on "Counterarguments" in the Writer's Handbook.


Explain why, given your evaluation of both positions, you agree or disagree with the claims being made in the assigned passage. Your response must counter the arguments made on the opposing side and must provide your own reaction to the arguments that you are evaluating. To integrate the parts of your essay together, you can review the ways to acknowledge a counterargument in the section of the Writer's Handbook on "Counterarguments."


A successful essay will do the following:

 
a) Demonstrate an understanding of the logical principles, types of arguments, and logical fallacies at work in the assigned passage.
b) Offer a thorough "reading" of the argument in the assigned passage, and its relationship to the counterarguments made by the opposing author.

c) Account for the rhetorical effects of the arguments you analyze and the ones you develop.

d) Develop a convincing thesis in the form of a thoughtful, clearly articulated counterargument.

e) Offer persuasive evidence and well-articulated warrants.

f) Produce a developing argument, where each paragraph is part of a progressive chain of reasoning.

 

The final essay should be 5-6 pages in length.